Advanced Concepts: Pictorial Space
Episode 35 of How to Draw

Advanced Concepts: Pictorial Space
Show More

Related videos

Creating Volume and Illusionistic Space
Episode 13 of How to Draw
Look broadly at how artists create flatness, volume, and space on two-dimensional surfaces. In doing so, study 12 factors that affect how we perceive depth of space, encompassing principles such as overlap, the relative scale of objects, the use of diagonals and foreshortened shapes, atmospheric perspective, and how distance affects…
Composition: Shape and Advanced Strategies
Episode 10 of How to Draw
Investigate visual strategies artists use in composing drawings. Grasp how shapes communicate, and how the factors of contrast and repetition affect how a viewer reads a drawing. Learn about visual "rhyming" (shapes and directions that get repeated rhythmically), spatial organization (foreground, mid-ground, background), and the narrative possibilities of composition.
Linear Perspective: Advanced Topics
Episode 19 of How to Draw
Complete drawing a believable, proportioned environment from your imagination. Next, study two-point perspective, used to accurately draw planes that are angled to the picture plane. Finally, discover how to draw sloping or inclined planes, and learn about three-point perspective, which depicts what we see when we tilt our heads, looking…
Advanced Drawing Projects
Episode 36 of How to Draw
Conclude with challenging projects that weave together observation and imagination, as well as abstraction and representation. Explore how to develop subject matter and source material for your drawings. Locate areas of personal interest, themes, and ideas to identify the kind of art you want to make and cultivate your own…
Metropolitan Seminars In Art: Composition
A Chronological exploration of the elements of composition, focusing on the element of pattern, from Gozzoli to Matisse; structure from Pollaiuolo to Cezzane; and expression from Sassetta to Degas.
Metropolitan Seminars In Art: Expressionism/ Abstraction
Defines Expressionism as the distortion of form and color for emotional interpretation. It defines Abstraction as seeking to reduce solid objects to the flat plane surface. Students contrast Mondrian's highly intellectual approach with Kandinsky's emotionalized abstractions.
Metropolitan Seminars In Art: Techniques
A detailed description of the technical aspects of working in various media: fresco, tempera, oil, watercolor, pastel, woodcut, etching and lithography.
Metropolitan Seminars In Art: What Is A Painting? Realism
Introduces the fundamental principles of art appreciation and explains technique, composition and personal expression. Students trace realism from Van Eyck to Hopper.
Picture's Worth A 1000 Words - Interpreting Visual Information
Demonstrates how visual images, photographs and illustrations are used to present one person's view of reality. Special visual codes are explained and viewers are encouraged to dicuss them.
The Center for Humanities Seminars In Modern Art: Break With Tradition (Impressionism)
The Break with Tradition introduces students to the origins of modern art. Explains one of the most revolutionary aspects of Impressionists painting-its use of color-as seen in the works of Monet, Pissarro and Renoir.
William S. Rubin on Picasso and Braque: Pioneering Cubism
n 1989, William S. Rubin, then Director Emeritus of the Museum of Modern Art's Department of Painting and Sculpture, organized its groundbreaking exhibition Picasso and Braque: Pioneering Cubism. Rubin gathered over 400 paintings and sculptures by the artists for the exhibition and charted their artistic partnership from 1907 until Braque…
The Artist as Social Critic
The Metropolitian Musuem Seminars In Art Unit Five: The Artist as Social Critic/ Visionary Show how painters have expressed their ideas about relationships, protested vice or injustice, commmented on human folly and achievement. Includes examples of social criticism by Botticelli, Goya, Hogarth and Riveria, Blake, Bosch, Dali, DeChirico.