La Notte

La Notte
Show More

Comments (3)

Anonymous picture
Tom

Dreary. The early scene with Jeanne Moreau wandering aimlessly is an apt setup for the rest of the film, which likewise seems to wander aimlessly. In it, we observe the life of a morose couple. Mastroianni's is an unsympathetic character. Moreau's is barely one.

Samuel avatar
Samuel

Love this film

Anonymous picture
susan

Thank you KANOPY for offering/bringing back so many of these wonderful films !!!

Related videos

L'eclisse
The conclusion of Michelangelo Antonioni's informal trilogy on modern malaise, L'ECLISSE (The Eclipse) tells the story of a young woman (Monica Vitti) who leaves one lover (Francisco Rabal) only to drift into a relationship with another (Alain Delon). Using the architecture of Rome as a backdrop for the couple's doomed…
Red Desert
Michelangelo Antonioni's 1960s panoramas of contemporary alienation were decade-defining artistic events, and RED DESERT, his first color film, is perhaps his most epochal. This provocative look at the spiritual desolation of the technological age--about a disaffected woman, brilliantly portrayed by Antonioni muse Monica Vitti, wandering through a bleak industrial landscape…
Nobody's Children
The first half of an overflowing diptych of melodramas from Raffaello Matarazzo chronicling the labyrinthine misfortunes of a couple torn cruelly apart by fate (and meddling villains). When Guido (Amedeo Nazzari), a young count, falls for Luisa (Yvonne Sanson), the poor daughter of one of the miners who works at…
L'avventura
Michelangelo Antonioni invented a new film grammar with this masterwork. An iconic piece of challenging 1960's cinema and a gripping narrative on its own terms, L'AVVENTURA concerns the enigmatic disappearance of a young woman during a yachting trip off the coast of Sicily, and the search taken up by her…
Chains
After years of making mostly comedies and literary adaptations, Raffaello Matarazzo turned to melodrama with this intense tale of a tight-knit working-class family shattered by temptation. There's a touch of noir in CHAINS, in which the saintly yet earthy Yvonne Sanson, as the devoted wife of a mechanic (Amedeo Nazzari),…
Tormento
Anna (Yvonne Sanson) flees her home, where she has been victimized for years by her spineless father's mean-spirited second wife, to be with her lover (Amedeo Nazzari), an honest businessman yet to make his fortune. When he is accused of a murder he didn't commit, the couple's domestic tranquillity is…
The White Angel
In Raffaello Matarazzo's sequel to his blockbuster Nobody's Children, the perpetually put-upon Guido and Luisa (Amedeo Nazzari and Yvonne Sanson) return for a new round of trials and tribulations. This time, the reversals of fortune are even more insanely ornate, a plot twist involving doppelgangers beats Vertigo to the punch…
La strada
There has never been a face quite like that of Giulietta Masina. Her husband, the legendary Federico Fellini, directs her as Gelsomina in LA STRADA, the film that launched them both to international stardom. Gelsomina is sold by her mother into the employ of Zampano (Anthony Quinn), a brutal strongman…
Fists in the Pocket
Tormented by twisted desires, a young man (Lou Castel) takes drastic measures to rid his grotesquely dysfunctional family of its various afflictions in this astonishing 1965 debut from Marco Bellocchio. Charged by a coolly assured style, shocking perversity, and savage gallows humor, FISTS IN THE POCKET was a gleaming ice…
The Flowers of St. Francis
In a series of simple and joyous vignettes, director Roberto Rossellini and co-writer Federico Fellini lovingly convey the universal teachings of the People's Saint: humility, compassion, faith, and sacrifice. Gorgeously photographed to evoke the medieval paintings of Saint Francis's time, and cast with monks from the Nocera Inferiore Monastery, THE…
Mamma Roma
Anna Magnani is Mamma Roma, a middle-aged prostitute who attempts to extricate herself from her sordid past for the sake of her son. Filmed in the great tradition of Italian neorealism, MAMMA ROMA offers an unflinching look at the struggle for survival in postwar Italy, and highlights director Pier Paolo…
Umberto D.
This neorealist masterpiece by Vittorio De Sica follows an elderly pensioner as he strives to make ends meet during Italy's postwar economic recovery. Alone except for his dog, Flike, Umberto (Carlo Battisti) struggles to maintain his dignity in a city where human kindness seems to have been swallowed up by…