Martha Graham Dance Company

Martha Graham Dance Company
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Dance for Camera - Six Dance Films from Around the World
Dance for Camera presents six films that are among the most outstanding examples of a new film genre that merges dance and film. Selected from festivals in Europe and North America, and winners of over 17 international awards, these films present an array of humor, drama, beauty and rhythm not…
Dance for Camera 2 - Seven Dance Films from Around the World
From a Butoh-inspired portrait of a demented aristocrat, to a sensual bedroom metamorphosis, to an intimate moment interrupted by a burst water pipe, this latest collection of award-winning dance films from around the world will "bewitch, bedazzle and bewilder." (Deirdre Towers, Dance on Camera Festival Director) For over five decades…
The Physical TV Company
Based in Sydney, Australia, Karen Pearlman and Richard James Allen have been making dance films since 1985. They formed The Physical TV Company in 1997. This collection features three of their over 20 works for the camera: Rubberman Accepts The Nobel Prize (2001). A superhero who speaks only the language…
Martha Graham: Dance on Film
One of the great artistic forces of the twentieth century, performer, choreographer, and teacher Martha Graham influenced dance worldwide. Criterion presents a sampling of her stunning craft, all collaborations with television arts-programming pioneer Nathan Kroll. A Dancer's World (1957), narrated by Graham herself, is a glimpse into her class work…
Video Dance
This work by director Douglas Rosenberg, a regular collaborator with contemporary choreographers, is a collection of three dances created specifically for the camera. Each work features Rosenberg's lyrical camera work and suspends the choreography within an elegant frame. The dances for the camera featured on this tape include works by…
Video/ Dance, Volume One
The Mourning Kiss (Screened at the 1990 International Grand Prix Video Danse, Paris, France) "...a modified tango for two is arrested in time, accentuating physical gestures and their emotive possibilities. The use of an ever-wandering slow-motion technique suspends the desiring note of Susana Tambutti's choreography." Steve Seid, Pacific Film Archive.…
Dances for Television
A suite of dances made for television from award-winning director Douglas Rosenberg, this project is based on the work of renowned choreographers Sean Curran, Li Chiao-Ping, and Amy Sue Rosen: "Real Boy" (Sean Curran) "Hope" (Amy Sue Rosen/Derek Bernstein) "Odyssey" (Li Chiao-Ping) "Residues" (Li Chiao-Ping)
Venous Flow
Venous Flow weaves first person narrative with contemporary dance to tell the story of a community of dancers and artists and their resolution to overcome personal trauma. "Grace" is a large group piece performed by Li Chiao-Ping Dance and a community of elders shot on a frozen lake in winter,…
Epic (The Land Within) and De L'Eau
Two video/dance collaborations by Douglas Rosenberg and choreographer Li Chiao-Ping. EPIC (THE LAND WITHIN) uses text, landscape imagery and performance by members of the Dziga Vertov Performance Group to present an expressionistic dance possible only for the camera. De L'Eau, choreographed by Li Chiao-Ping for herself and a male dancer…
ARC: A Dance Trilogy
ARC is a trilogy of solo dance works created and performed by acclaimed New Zealand choreographer Douglas Wright. In three distinct sections the film charts a transformation: a journey from a primeval landscape of despair, through a bizarre and hilarious confrontation with a talking bird, and the emergence of "gravity's…
Molissa Fenley and Peter Boal: The Restaging of 'State of Darkness'
This intimate and exciting documentary of Peter Boal's performance of Molissa Fenley's "State of Darkness" was produced by Ellen Bromberg. The film reveals the challenges of blending two dance cultures through the restaging of a critically acclaimed solo.
Amy Greenfield
Amy Greenfield has been pushing the boundaries of dance and cinema since the early 1970s. Her work is known for its earthy rawness and proto-feminist point of view. This collection of her early work includes "Element," "Transport," and other landmark cine-dances.