Metropolitan Seminars In Art: Composition

Metropolitan Seminars In Art: Composition
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Metropolitan Seminars In Art: Expressionism/ Abstraction
Defines Expressionism as the distortion of form and color for emotional interpretation. It defines Abstraction as seeking to reduce solid objects to the flat plane surface. Students contrast Mondrian's highly intellectual approach with Kandinsky's emotionalized abstractions.
Metropolitan Seminars In Art: Techniques
A detailed description of the technical aspects of working in various media: fresco, tempera, oil, watercolor, pastel, woodcut, etching and lithography.
Metropolitan Seminars In Art: What Is A Painting? Realism
Introduces the fundamental principles of art appreciation and explains technique, composition and personal expression. Students trace realism from Van Eyck to Hopper.
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Composition: The Format and Its Armature
Episode 7 of How to Draw
In approaching composition, study the underlying structure of rectangles, the fundamental shape of most drawings. Learn how the character of any rectangle is defined by the relationship of its verticality to its horizontality, and how this relationship affects our perception. Observe how simple diagonals within a rectangle offer numerous possibilities…
Composition: How Artists Compose
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Study how artists think structurally in building a drawing, tying the drawing's content to the geometric underpinnings of a given rectangular shape. Learn about focal areas, focal points, and compositional balance, and how this kind of structural understanding serves to unite the parts of a drawing, creating a unified whole.
Composition: Shape and Advanced Strategies
Episode 10 of How to Draw
Investigate visual strategies artists use in composing drawings. Grasp how shapes communicate, and how the factors of contrast and repetition affect how a viewer reads a drawing. Learn about visual "rhyming" (shapes and directions that get repeated rhythmically), spatial organization (foreground, mid-ground, background), and the narrative possibilities of composition.
Picture's Worth A 1000 Words - Interpreting Visual Information
Demonstrates how visual images, photographs and illustrations are used to present one person's view of reality. Special visual codes are explained and viewers are encouraged to dicuss them.
William S. Rubin on Picasso and Braque: Pioneering Cubism
n 1989, William S. Rubin, then Director Emeritus of the Museum of Modern Art's Department of Painting and Sculpture, organized its groundbreaking exhibition Picasso and Braque: Pioneering Cubism. Rubin gathered over 400 paintings and sculptures by the artists for the exhibition and charted their artistic partnership from 1907 until Braque…
The Artist as Social Critic
The Metropolitian Musuem Seminars In Art Unit Five: The Artist as Social Critic/ Visionary Show how painters have expressed their ideas about relationships, protested vice or injustice, commmented on human folly and achievement. Includes examples of social criticism by Botticelli, Goya, Hogarth and Riveria, Blake, Bosch, Dali, DeChirico.
Learning to See & Understand: Developing Visual Literacy
Shows how great artists have expressed their feelings through art. Explores works by Leonardo da Vinci, Goya, Lichtenstein, Bierstadt, Picasso, Wyeth, Kelly, Albers and Matisse to show students how great artists have expressed their feelings in their work. Ruth Benedict, Marshall McLuhan, Stanley Kubrick and Kurt Vonnegut offer contemporary comments…