Ngangkari

Ngangkari
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Desert Tracks
A group of white city dwellers from diverse backgrounds and four different countries spends 10 days with the Pitjantjatjara people in the middle of the Central Australian desert. They share in the nomadic Pitjantjatjara lifestyle, evolved over 40,000 years, where the essence of community and the spirit of the land…
The Land of the Lightning Brothers
In the sandstone country southwest of Katherine in the Northern Territory lies a spectacular concentration of Aboriginal rock art. Ancestral beings, the Lightning Brothers, feature in this art. For the Wardaman people, the Lightning Brothers are an important part of their living culture. The Wardaman perform traditional songs and ceremonies…
Desert Heart
From 1958 to 1968 the Great Sandy Desert experienced one of the worst droughts in recorded history. For the pre contact desert tribes like the Yulparija, Walmajarri and Martu the land had become unliveable. In 1968 the Yuparija abandoned the desert as a matter of survival and arrived at the…
Jila: Painted Waters of the Great Sandy Desert
The Ngurrara people know their desert country - it's where they grew up. But to claim their native title they need to show their knowledge of the land in a way that makes sense to them and the visiting Native Title Tribunal. They decide to paint their country - on…
Yorky Billy
YORKY BILLY is set in Ngurgdu (Spring Peak) in the Northern Territory, an area irrevocably disturbed by uranium mining. There, 80-year-old William Alderson (known as "Yorky Billy") reflects on his life in the outback. Yorky's mother was an Aboriginal woman who died when he was three, and his father was…
Camels and the Pitjantjara
From the 1920s onwards, when motor vehicles displaced camels as a mode of supply in central Australia, camels gradually went feral. As this film shows, however, in the 1960s, the Pitjantjara were making good use of camels to facilitate their travels and connections with other areas. This remarkable film, shot…
Coniston Muster
The many films that Roger Sandall made for the Australian Institute of Aboriginal Studies in the 1960s and early 70s were primarily for archival purposes, and not for wide public release. Coniston Muster is one of the few intended for a general audience. Superbly photographed over a relatively short period…
It's A Long Road Back
This powerful documentary was made by Oomera (Coral) Edwards on Super 8mm film as a training exercise at the (then) Australian Institute of Aboriginal Studies in Canberra. The film surveys the New South Wales policy of taking Aboriginal children from their families and putting them in institutions run by the…
Something of the Times
Using a wealth of archival photographs, this documentary reconstructs the life of buffalo hunters in the remote wetlands of the Northern Territory in the 1930s - both the white hunters and the Aboriginal labour that supported their operations. Tom Cole was one of the hunters, now retired in Sydney. With…
Mourning For Mangatopi
Because of work commitments and the influence of Christian Missions, traditional mourning ceremonies among the Tiwi people of Melville Island were becoming rare at the time of making this film (1974). The full, elaborate ceremony, called the Pukumani ceremony, lasted several days and involved large numbers of people in ritual…
Link-Up Diary
Link-Up Diary explores the consequences of the New South Wales government's long-term practice of taking Aboriginal children away from their parents and raising them in "white" environments. The film takes the form of a personal journey by the filmmaker, David MacDougall, as he spends a week on the road with…
Benny and The Dreamers
A small group of Pintupi living in west Central Australia today can remember their first meeting with a white man, their first impressions of the white man's world and their expectations of what the white world had to offer. BENNY AND THE DREAMERS reveals for the first time on film…