One Man’s Response
Part of the Series: The Yirrkala Film Project

One Man’s Response
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Dundiwuy’s House Opening
Part of the Series: The Yirrkala Film Project
For several months in 1971 Dundiwuy Wanambi and his wife, Gunapa, were living in a temporary shade at Yirrkala. They were awaiting the ritual cleansing and opening of their house. They had had to leave their house after the death of Gunapa's father, who had been living with them when…
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Part of the Series: The Yirrkala Film Project
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Part of the Series: The Yirrkala Film Project
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Madarrpa Funeral at Gurka’wuy
Part of the Series: The Yirrkala Film Project
In 1976, Ian Dunlop was invited by Dundiwuy Wanambi, a leader of the Marrakulu clan, to Gurka'wuy on Trial Bay in the Gulf of Carpentaria. He wanted Film Australia to record the first major Marrakulu ceremony to be held at Gurka'wuy since its recent establishment as a clan settlement. While…
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In 1974, Narritjin Maymuru and his family are establishing a small settlement at Djarrakpi, an important Manggalili clan site on the northern head of Blue Mud Bay in the Northern Territory.
My Country, Djarrakpi
Part of the Series: The Yirrkala Film Project
Paintings, together with their related songs, dances and ritual events, form an integral part of the religious life of the Yolngu people of Northeast Arnhem Land. Every painting or design is owned by a particular clan. Every painting tells of events in a clan's Ancestral Past, when the present order…
Narritjin in Canberra
Part of the Series: The Yirrkala Film Project
In 1978 Narritjin Maymuru and his son Banapana were awarded fellowships as Visiting Artists to the Faculty of Arts at the Australian National University in Canberra. For three months they and their families worked in their campus studio. In the film, Narritjin conducts a seminar for anthropology students. He explains…