Picture's Worth A 1000 Words
Interpreting Visual Information

Picture's Worth A 1000 Words - Interpreting Visual Information
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A Visual Artist in the Field - Judith Dinham
This episode introduces a part of the semi-desert Murchison district which has always had a special significance for the artist. We see how the sheep station, Meeline, provides one appropriate site for Judith's work. We are also shown the working methods that are an integral part of her engagement with…
Brian Blanchflower - Visual Artist
Brian Blanchflower's paintings have a cosmic intensity that invites contemplation. From his Perth-based studio Blanchflower discusses how his work is influenced by his experience of the natural environment. In particular, he describes how regular camping trips to two locations - a beach and a salt lake in the semi arid…
Learning to See & Understand: Developing Visual Literacy
Shows how great artists have expressed their feelings through art. Explores works by Leonardo da Vinci, Goya, Lichtenstein, Bierstadt, Picasso, Wyeth, Kelly, Albers and Matisse to show students how great artists have expressed their feelings in their work. Ruth Benedict, Marshall McLuhan, Stanley Kubrick and Kurt Vonnegut offer contemporary comments…
Proportion: Alberti’s Velo
Episode 11 of How to Draw
Now begin a study of proportion and measurement in drawing. Learn about a key discovery of 15th century European art, the velo, a gridded device that allows you to create a convincing depiction of a figure, landscape, or other subject. Use your own velo, and draw a proportioned, foreshortened view…
Artist's Responses
This episode examines the ways in which Brian Blanchflower (visual artist), John Kinsella (poet), Annie Stainer (movement artist), Joan Campbell (ceramic artist), Judith Watson (visual artist) and Peter Cowan (novelist), explore and respond to their environments in their creative work.
An Introduction to Drawing
Episode 1 of How to Draw
Begin by considering the remarkable history of drawing, a history that has produced knowledge, methodology, and techniques that are readily learnable. Assess common misconceptions about talent and genius; discover how learning to see analytically and abstractly helps us draw; and try your first drawing exercise, retracing what our ancestors drew…
Drawing Materials for Line
Episode 2 of How to Draw
Here, investigate drawing materials you'll use throughout the course. Learn about artists' graphite pencils, charcoal, brush and ink, and drafting and measuring tools. Then learn how to set up your work area, and how to place both yourself and your subject vis-a-vis your drawing board or easel.
Drawing Fundamentals and First Exercises
Episode 3 of How to Draw
Explore essential first drawing exercises and learn how you will apply the skills developed here to much more complex subjects. Grasp how the curriculum--spanning the many pieces making up the "grammar" of drawing, such as composition, proportion, perspective, value, texture, and color--fits together, providing you with the knowledge and ability…
Line and Shape: Line and Aggregate Shape
Episode 4 of How to Draw
Learn about contour line, which describes the outer edges of objects, and construction line, which helps you build the objects you draw. Discover how to draw individual objects by constructing them from basic geometric shapes. Also learn about aggregate shape, which unites a drawing's disparate individual elements.
Line and Shape: Volume and Figure-Ground
Episode 5 of How to Draw
Now investigate cross-contour line (which can transform flat shape into a volumetric solid), oblique or foreshortened shapes, and their relation to geometric solids--principles that allow you to make objects appear three-dimensional. Also grasp the relation of figure to ground within a drawing, and practice drawing three-dimensional still lifes.
Line and Shape: Positive and Negative Shape
Episode 6 of How to Draw
This lecture explores the vital concept of negative shape, the shapes existing between the positive shapes representing the objects on the page. Study how artists conceive of negative shape and use it in constructing their compositions. In still life exercises, practice intentionally drawing both "positive" object shapes and the "negative"…
Composition: The Format and Its Armature
Episode 7 of How to Draw
In approaching composition, study the underlying structure of rectangles, the fundamental shape of most drawings. Learn how the character of any rectangle is defined by the relationship of its verticality to its horizontality, and how this relationship affects our perception. Observe how simple diagonals within a rectangle offer numerous possibilities…